An old man stares ferociously at a girl in the park.
The girl — white Apple earbuds in place, out on a jog, sweaty and out of breath as she does her stretches — stares back, unblinking. She looks wary of the stare but not afraid of it.
It is an uncomfortable moment with the starer boring a hole with his eyes and the girl confronting it confidently with her own, and, coming as it does rather early in Pink, I began to wonder about a possible connection, a relationship, an estrangement. It is because the girl appears to know the stare so well. As the movie rolled on and it became clear there was no connection between the two at the time, I realised the reason she knew the stare is because all girls do.
All girls. Pink, directed by Aniruddha Roy Chowdhury, isn’t about heroines or…
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