Review: Kanu Behl’s Titli

sen city

There’s a world of difference between red and maroon.

You might not expect him to know that distinction, but Vikram does. A security guard at a mall who moonlights as a carjacker, Vikram is furious at that very fact: that you think he doesn’t know better. In one of the finest performances I’ve seen this year, Ranvir Shorey is spectacular as the elder brother in Kanu Behl’s Titli, the story of a dysfunctional family of bottom-dwellers. It is a performance of rage and nuance, of unexpected tenderness and misplaced nobility, and bloodthirsty cynicism. Shorey nails it, and it’s hard to take your eyes off Vikram.

Behl’s film, however, is not about Vikram. It is about the youngest of three brothers, Titli, a kid scrounging up to buy a parking-space in a shopping mall, looking to some kind of future away from the hellhole where he lives. As setups go…

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