It was merely a matter of time before someone cracked the Rajkumar Hirani code.
The most memorable tent-pole filmmakers — the big mainstream showmen and pleasers of crowds — often create their own self-celebrating genre. They strike upon and cautiously hone a formula (something Manmohan Desai, for example, managed to do with near-mathematical precision) and then they reap. Till, that is, someone new figures out this formula and replicates it to great effect. It is an invariable and unsurprising cycle, and it happens even though some masala filmmakers take longer to milk than others.
Bajrangi Bhaijaan is an overearnest, oversimplified, preposterously sweet and frequently schlocky film, which shouldn’t work because of how predictable and soppy it is. Yet, because of a finely picked supporting cast, some sharp lines of dialogue and, most crucially, because of its overall heart, it works, and works well. This may well be a Kabir Khan…
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